SHIROBAKO · Episode 11
The Little Key Frames Girl
2014-12-1825 min
With a total of thirty cuts to work on, Aoi starts assigning scenes for the final episode to the company's key animators, including Ema at the request of Yumi. However, with dozens of cuts still remaining and not enough animators at Musashino, Aoi struggles to find willing animators working outside the company who would work on the cuts, as other studios are busy with their own anime. She begins contemplating on hiring self-proclaimed amateur animators, but Erika warns her that by doing so, the overall quality of the episode's animation will fluctuate and the schedule will be further delayed…
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1Exodus to Tomorrow!2014-10-0925 minIn Kaminoyama High School, animation club members and good friends Aoi Miyamori, Ema Yasuhara, Shizuka Sakaki, Misa Tōdō, and Midori Imai promise to each other that they will make an animated feature together one day. Two and a half years later, Aoi is working as a production assistant at Musashino Animation, an animation studio that is currently working on an upcoming anime for the fall season, called Exodus!. She visits Misato Segawa, the animation supervisor for the anime's fourth episode, to retrieve the checked animation. Then, she drives to the studio, where she attends a meeting as the…
2Arupin Is Here!2014-10-1625 minAfter tending to Segawa, who had collapsed due to severe dizziness from a fever, Aoi manages to get Ryōsuke to handle the key frames for episode four. As the production process continues, Ema calls Shizuka, who is now a restaurant employee and also a beginning voice actress, and the two make plans for the group's monthly get-together event. Ema then notes to Shizuka that she and Aoi are interacting less at work, and Aoi seems to have an overwhelming workload, being responsible for the production of two episodes. Later on, during the sound design process of a later episode of Exodus!, the…
3No More Recap Episodes2014-10-2325 minGeneral animation supervisory assistant Yumi Iguchi is impressed by the new iteration of the 4th episode & decides to begin work on the retakes. Aoi is faced with a heavy workload regarding the 4th & 9th episodes. After Rinko checks the key frames, Aoi sends them to in-between inspector Chiemi Dōmoto, then realizes she mistakenly sent one of the cuts to the camera department. She finds that one of the key frames she requested has not been delivered to her & calls lazy freelance key animator Mitsuhide Kisa to finish the cuts. Although he begins work, the process is delayed due to his laziness…
4I Totally Messed Up2014-10-3025 minAs Shizuka goes in for her first audition at Prussia Studio, she becomes nervous about going up against popular voice actress Rina Sōma. When she is the next one to audition, her nervousness gets the better of her, although the director is impressed. Meanwhile, Aoi receives a call from her mother, who congratulates her on her work on Exodus! despite her confusion about the story, and informs her that her father was also impressed. The scene then flashes back to the time Aoi, Ema, Shizuka, Misa, and Midori presented their club's anime back in high school; although the students were unimpressed…
5Those Who Blame Others Should Just Quit!2014-11-0625 minTarō tries to reason with Ryōsuke and his decision, but he refuses to listen. Tarō then vents his anger to Aoi and blames her for the situation, explaining that the argument was the reason behind the phone calls. With the storyboards for the final episode way behind schedule, being a month late, chief production assistant Yutaka Honda, desperate for progress, goes to extreme lengths and locks Seiichi inside a cage in the storage room in order to get him to finish them, despite his protests. Tarō explains to Aoi that he got caught up as the middle man between Ryōsuke, who wanted to do the key…
6Idepon Miyamori: On the Move2014-11-1325 minDespite seeing the 3D-rendered explosion scene, Ryōsuke refuses to return to work, citing that things had already gone far enough. Becoming agitated by Tarō's attitude, Aoi finally informs Honda of his failure to handle the situation between Ryōsuke and Yūichirō. Honda decides to tell Seiichi about the situation as well, but discovers that he had somehow managed to escape his confinement so he could sneak off to the after-recording session. Meanwhile, production assistant Tatsuya Ochiai is given an offer by his friend, line producer Houjou Hiroaki, to work at Studio Canaan, another anime…
7Retake with Cats2014-11-2025 minWhile preparing to leave for Musashino Animation, Aoi learns from her sister, Kaori, that she is coming over to stay, and she subsequently entrusts her house key to Midori. During the Musashino Animation morning assembly, Tatsuya announces that he is leaving at the end of the week, citing personal reasons, which shocks Aoi and Tarō. After the assembly, Honda reassigns Erika to continue Tatsuya's work on the eleventh episode, which leaves Tarō to continue her work on the twelfth episode. As a result, Aoi is put in charge of work on the final episode, which Tatsuya recommends as a good…
8I’m Not Criticizing You or Anything2014-11-2725 minFollowing her conversation with Aoi, Ema had encountered Yumi while returning to work; Yumi noticed something wrong with Ema and advised her, "Ask, and be a fool for a minute. Ask not, and be a fool for life." In the present day, Midori and Kaori go on a tour across Tokyo. Midori notices Kaori's quick fascination with the city and learns about her dull office life back in the country. Meanwhile, Ema continues to struggle with her cuts, and Sugie continues to try and motivate her, although she does not feel capable of following his suggestions. Elsewhere, the entire production desk discusses…
9What Do You Think I Was Trying to Say?2014-12-0425 minWith production of the other episodes running on schedule, Aoi is put under pressure as Seiichi has yet to finish the storyboards for the final episode. In addition to this problem, there is only one month for the episode's material to be delivered, even if Seiichi finishes early. Also, Musashino Animation president Masato Marukawa, line producer Shun Watanabe, and record producer Gōtarō Katsuragi decide to have the company work on an anime adaptation of a popular book called The Third Aerial Girls Squad. Meanwhile, Misa becomes slightly downhearted at the fact that all she gets to do at her…
10Just One More2014-12-1125 minDuring the morning assembly, Honda announces that Seiichi will be finished with the storyboards tomorrow, which would still leave the studio with five weeks to deliver the final episode, an unusually short amount of time for such a task to be completed. Later on, Aoi receives an email containing some research about diesel trains from Midori, who had been hoping to help her out on her workload. During a phone call between them, Midori informs Aoi about Misa's situation at work. While delivering a dombra over to the sound department at Sawara Studio for Marukawa, Aoi is forced to help sound…
11The Little Key Frames Girl2014-12-1825 minWith a total of thirty cuts to work on, Aoi starts assigning scenes for the final episode to the company's key animators, including Ema at the request of Yumi. However, with dozens of cuts still remaining and not enough animators at Musashino, Aoi struggles to find willing animators working outside the company who would work on the cuts, as other studios are busy with their own anime. She begins contemplating on hiring self-proclaimed amateur animators, but Erika warns her that by doing so, the overall quality of the episode's animation will fluctuate and the schedule will be further delayed…12Exodus Christmas2014-12-2525 minWatanabe, Onoue, Katsuragi, and their playmates discuss about letting Aoi go to Kanno before talking about Musashino's plans to begin work on the anime adaptation for The Third Girls Aerial Squad. Elsewhere, Aoi meets up with Kanno, who, after reading the storyboards, points out the ridiculous nature of animating horses for the final scene and that there are barely any animators left capable of accomplishing such a task. However, he goes on to mention that there is one person at Musashino Animation who is capable of handling the scene. The next night, the staff holds an all-hands meeting…
13What Kind of Cloud Do You Like?2015-01-0825 minAt the start of the new year, it is announced that Musashino Animation's next project will be an adaptation of the manga series The Third Aerial Girls Squad. With Honda having just left Musashino and Erika still checking on her hospitalized father, Watanabe assigns Aoi to production manager and Tarō to chief production assistant. Faced with numerous responsibilities and a tough schedule ahead of her, Aoi first starts making sure Seiichi has a clear idea of what he wants to do with the project without making any last-minute changes as he did in Exodus!. When the two ask Rinko to be the series'…
14The Ruthless Audition Meeting!2015-01-1525 minShizuka shows up for the auditions for The Third Aerial Girls Squad. After reading for one part, she is asked to read for the role of another character. Meanwhile, Aoi and Seiichi once again meet up with Yūji, who agrees to help out with the project after deliberating a question Aoi gave him during their last meeting. Later, a new production assistant, Daisuke Hiraoka, joins the production team. Seiichi participates in a meeting deciding on the cast, with a few members arguing over aspects outside of voice acting and trying to push their own personal choices regarding who should voice the…
15Will These Drawings Work?2015-01-2225 minA welcoming party is held for two new production assistants, Tsubaki Andō and Sara Satō, while Marukawa announces that Musashino Animation's reputation depends on the execution of The Third Aerial Girls Squad. Afterwards, Tsubaki and Sara join the rest of the staff as they engage in a meeting discussing the ending of The Third Aerial Girls Squad, then a location hunting trip. Later, Seiichi finishes the storyboards for the first episode, albeit with some dubious drawing quality. Production begins on the episode, with shy key animator Ai Kunogi participating in her first production meeting…
16Table Flip2015-01-2925 minAoi informs everyone to stop production on the characters, despite there being only three months until the first episode airs. Yumi begins revising the character designs based on the author's feedback emails. However, she struggles after Nogame voices his disapproval of the redesigns and gives out vague feedback. With an actual meeting with Nogame impossible, Watanabe advises they should start from the beginning again without anything to go on. After Aoi speaks with Yumi at her secret spot in the local park, she and Seiichi focus on the unaffected material outside of the characters, such as…
17Where Am I?2015-02-0525 minThe anime adaptation for The Third Girls Aerial Squad is announced to the public, but it is met with skepticism from the otaku community. Honda decides to pay a visit to the studio to share some cakes and catch up with everyone, surprising the staff with his drastic weight loss. Later on, Aoi and Seiichi hold an art meeting with Yūji and decide to hire another art director named Masahiro Ōkura to handle the background scenes. Meanwhile, the studio is suddenly pushed by Chazawa to create a promotional video in two weeks for a Manga Festival event, meaning certain cuts need to be fully animated…
18You Tricked Me!2015-02-1225 minAoi, Seiichi, and Katsuragi join Inanami as they meet up with the voice cast of The Third Girls Aerial Squad for a recording. During the recording session, the staff notices the protagonist's voice actress, newcomer Kyōko Suzuki, is struggling with maintaining the quality of her voice as they expected her to do. They later help her give a more natural performance. Afterwards, Aoi meets up with Ōkura at a bar to ask for his help with a particular background; exhausted and drunk, he hastily agrees to do it. Aoi then contacts Studio Taitanic about the layouts of the fifth episode, only to learn…
19Did You Catch Any?2015-02-1925 minOn the rooftop of Musashino Animation's studio, Aoi pleads with Erika to take her job as production desk and then blames herself for the problems happening lately. Erika then advises Aoi to go home for the night and get some rest so she can get rid of her stress by the next morning. The next day, as Aoi, Watanabe, and the entire production desk discuss how to handle the issues with Studio Taitanic, Erika goes with Hiraoka, who is actually a former acquaintance of hers, over to Taitanic's office so they could help out with the fifth episode. Eventually, she selects Hiroshi Iketani as…
20I’ll Do My Best, Mustang!2015-02-2625 minAs the head staff tries to discuss what to do for the plot of the thirteenth episode, they start to liken the protagonist's reason for flying to their own reasons for getting into the anime industry. They become interested by their motives for making anime and ask the rest of the staff for their own opinions, receiving various responses. Meanwhile, Midori, who has been given writing assignments by Maitake to improve her writing skills in lieu of directly teaching her, feels downhearted when an increasingly irritable Hiraoka implies that she can get her way just because she is a girl. She…
21Don’t Hold the Quality Hostage2015-03-0525 minDuring a delivery by the president of A.C Tsuchinoko, Hisamitsu Isokawa, he reunites with Hiraoka and Erika, who were his classmates in technical school. Meanwhile, Misa gets the chance to do some character CG animation for a certain scene in The Third Aerial Girls Squad, inviting Ema and Shizuka to an amusement park to observe their reactions on a rollercoaster for inspiration. Following the successful premiere of The Third Aerial Girls Squad 's first episode, which is met with widespread public acclaim, Aoi receives complaints from Segawa, who requests that Hiraoka be taken off the…
22Noa’s in Her Underwear.2015-03-1225 minAfter being assigned as the animation supervisor for the thirteenth episode, Yumi, pressed by her large workload, nominates Ema to join Rinko as an assistant general animation supervisor to help her handle some of the cuts, having been impressed by the progress she displayed since Exodus!. However, when Aoi asks her about it, Ema responds that she lacks confidence in herself to take up the job and has to think it over. As a backup plan, Aoi approaches Segawa with the request. Though she declines, Segawa becomes impressed be her sincerity and regains some of the motivation she lost following…
23Table Flip Continued2015-03-1925 minAfter Watanabe and Katsuragi fail to convince Chazawa and his boss to let them contact Nogame and negotiate with him, the Musashino staff is left with no choice but to follow his wishes and keep the episode's plot accurate to the story's original timeline, which would end the anime on an unhappy note with the death of one of the main characters. However, Seiichi is unsatisfied with the prospect, feeling that the ending needed to be positive. Hiraoka reveals that he worked on an adaptation of another of Nogame's works, which ignored the original story and sparked significant backlash from the…
24The Delivery That Was Too Far Off2015-03-2625 minWith three weeks left until the delivery of the final episode, the entire Musashino staff reinforces their efforts to get the episode done with the time they have left. The work is particularly focused on the scene featuring Shizuka's character, which is assigned to Ema at her own request after she was touched by Shizuka's performance. Meanwhile, Shizuka finds enjoyment in being able to land minor voicing roles, while Misa stays up the entire night at her workplace creating a CG model for a fighter jet. On the day of the delivery, after the episode is finally completed, the production staff…
2Arupin Is Here!2014-10-1625 minAfter tending to Segawa, who had collapsed due to severe dizziness from a fever, Aoi manages to get Ryōsuke to handle the key frames for episode four. As the production process continues, Ema calls Shizuka, who is now a restaurant employee and also a beginning voice actress, and the two make plans for the group's monthly get-together event. Ema then notes to Shizuka that she and Aoi are interacting less at work, and Aoi seems to have an overwhelming workload, being responsible for the production of two episodes. Later on, during the sound design process of a later episode of Exodus!, the…3No More Recap Episodes2014-10-2325 minGeneral animation supervisory assistant Yumi Iguchi is impressed by the new iteration of the 4th episode & decides to begin work on the retakes. Aoi is faced with a heavy workload regarding the 4th & 9th episodes. After Rinko checks the key frames, Aoi sends them to in-between inspector Chiemi Dōmoto, then realizes she mistakenly sent one of the cuts to the camera department. She finds that one of the key frames she requested has not been delivered to her & calls lazy freelance key animator Mitsuhide Kisa to finish the cuts. Although he begins work, the process is delayed due to his laziness…4I Totally Messed Up2014-10-3025 minAs Shizuka goes in for her first audition at Prussia Studio, she becomes nervous about going up against popular voice actress Rina Sōma. When she is the next one to audition, her nervousness gets the better of her, although the director is impressed. Meanwhile, Aoi receives a call from her mother, who congratulates her on her work on Exodus! despite her confusion about the story, and informs her that her father was also impressed. The scene then flashes back to the time Aoi, Ema, Shizuka, Misa, and Midori presented their club's anime back in high school; although the students were unimpressed…5Those Who Blame Others Should Just Quit!2014-11-0625 minTarō tries to reason with Ryōsuke and his decision, but he refuses to listen. Tarō then vents his anger to Aoi and blames her for the situation, explaining that the argument was the reason behind the phone calls. With the storyboards for the final episode way behind schedule, being a month late, chief production assistant Yutaka Honda, desperate for progress, goes to extreme lengths and locks Seiichi inside a cage in the storage room in order to get him to finish them, despite his protests. Tarō explains to Aoi that he got caught up as the middle man between Ryōsuke, who wanted to do the key…6Idepon Miyamori: On the Move2014-11-1325 minDespite seeing the 3D-rendered explosion scene, Ryōsuke refuses to return to work, citing that things had already gone far enough. Becoming agitated by Tarō's attitude, Aoi finally informs Honda of his failure to handle the situation between Ryōsuke and Yūichirō. Honda decides to tell Seiichi about the situation as well, but discovers that he had somehow managed to escape his confinement so he could sneak off to the after-recording session. Meanwhile, production assistant Tatsuya Ochiai is given an offer by his friend, line producer Houjou Hiroaki, to work at Studio Canaan, another anime…7Retake with Cats2014-11-2025 minWhile preparing to leave for Musashino Animation, Aoi learns from her sister, Kaori, that she is coming over to stay, and she subsequently entrusts her house key to Midori. During the Musashino Animation morning assembly, Tatsuya announces that he is leaving at the end of the week, citing personal reasons, which shocks Aoi and Tarō. After the assembly, Honda reassigns Erika to continue Tatsuya's work on the eleventh episode, which leaves Tarō to continue her work on the twelfth episode. As a result, Aoi is put in charge of work on the final episode, which Tatsuya recommends as a good…8I’m Not Criticizing You or Anything2014-11-2725 minFollowing her conversation with Aoi, Ema had encountered Yumi while returning to work; Yumi noticed something wrong with Ema and advised her, "Ask, and be a fool for a minute. Ask not, and be a fool for life." In the present day, Midori and Kaori go on a tour across Tokyo. Midori notices Kaori's quick fascination with the city and learns about her dull office life back in the country. Meanwhile, Ema continues to struggle with her cuts, and Sugie continues to try and motivate her, although she does not feel capable of following his suggestions. Elsewhere, the entire production desk discusses…9What Do You Think I Was Trying to Say?2014-12-0425 minWith production of the other episodes running on schedule, Aoi is put under pressure as Seiichi has yet to finish the storyboards for the final episode. In addition to this problem, there is only one month for the episode's material to be delivered, even if Seiichi finishes early. Also, Musashino Animation president Masato Marukawa, line producer Shun Watanabe, and record producer Gōtarō Katsuragi decide to have the company work on an anime adaptation of a popular book called The Third Aerial Girls Squad. Meanwhile, Misa becomes slightly downhearted at the fact that all she gets to do at her…10Just One More2014-12-1125 minDuring the morning assembly, Honda announces that Seiichi will be finished with the storyboards tomorrow, which would still leave the studio with five weeks to deliver the final episode, an unusually short amount of time for such a task to be completed. Later on, Aoi receives an email containing some research about diesel trains from Midori, who had been hoping to help her out on her workload. During a phone call between them, Midori informs Aoi about Misa's situation at work. While delivering a dombra over to the sound department at Sawara Studio for Marukawa, Aoi is forced to help sound…11The Little Key Frames Girl2014-12-1825 minWith a total of thirty cuts to work on, Aoi starts assigning scenes for the final episode to the company's key animators, including Ema at the request of Yumi. However, with dozens of cuts still remaining and not enough animators at Musashino, Aoi struggles to find willing animators working outside the company who would work on the cuts, as other studios are busy with their own anime. She begins contemplating on hiring self-proclaimed amateur animators, but Erika warns her that by doing so, the overall quality of the episode's animation will fluctuate and the schedule will be further delayed…12Exodus Christmas2014-12-2525 minWatanabe, Onoue, Katsuragi, and their playmates discuss about letting Aoi go to Kanno before talking about Musashino's plans to begin work on the anime adaptation for The Third Girls Aerial Squad. Elsewhere, Aoi meets up with Kanno, who, after reading the storyboards, points out the ridiculous nature of animating horses for the final scene and that there are barely any animators left capable of accomplishing such a task. However, he goes on to mention that there is one person at Musashino Animation who is capable of handling the scene. The next night, the staff holds an all-hands meeting…13What Kind of Cloud Do You Like?2015-01-0825 minAt the start of the new year, it is announced that Musashino Animation's next project will be an adaptation of the manga series The Third Aerial Girls Squad. With Honda having just left Musashino and Erika still checking on her hospitalized father, Watanabe assigns Aoi to production manager and Tarō to chief production assistant. Faced with numerous responsibilities and a tough schedule ahead of her, Aoi first starts making sure Seiichi has a clear idea of what he wants to do with the project without making any last-minute changes as he did in Exodus!. When the two ask Rinko to be the series'…14The Ruthless Audition Meeting!2015-01-1525 minShizuka shows up for the auditions for The Third Aerial Girls Squad. After reading for one part, she is asked to read for the role of another character. Meanwhile, Aoi and Seiichi once again meet up with Yūji, who agrees to help out with the project after deliberating a question Aoi gave him during their last meeting. Later, a new production assistant, Daisuke Hiraoka, joins the production team. Seiichi participates in a meeting deciding on the cast, with a few members arguing over aspects outside of voice acting and trying to push their own personal choices regarding who should voice the…15Will These Drawings Work?2015-01-2225 minA welcoming party is held for two new production assistants, Tsubaki Andō and Sara Satō, while Marukawa announces that Musashino Animation's reputation depends on the execution of The Third Aerial Girls Squad. Afterwards, Tsubaki and Sara join the rest of the staff as they engage in a meeting discussing the ending of The Third Aerial Girls Squad, then a location hunting trip. Later, Seiichi finishes the storyboards for the first episode, albeit with some dubious drawing quality. Production begins on the episode, with shy key animator Ai Kunogi participating in her first production meeting…16Table Flip2015-01-2925 minAoi informs everyone to stop production on the characters, despite there being only three months until the first episode airs. Yumi begins revising the character designs based on the author's feedback emails. However, she struggles after Nogame voices his disapproval of the redesigns and gives out vague feedback. With an actual meeting with Nogame impossible, Watanabe advises they should start from the beginning again without anything to go on. After Aoi speaks with Yumi at her secret spot in the local park, she and Seiichi focus on the unaffected material outside of the characters, such as…17Where Am I?2015-02-0525 minThe anime adaptation for The Third Girls Aerial Squad is announced to the public, but it is met with skepticism from the otaku community. Honda decides to pay a visit to the studio to share some cakes and catch up with everyone, surprising the staff with his drastic weight loss. Later on, Aoi and Seiichi hold an art meeting with Yūji and decide to hire another art director named Masahiro Ōkura to handle the background scenes. Meanwhile, the studio is suddenly pushed by Chazawa to create a promotional video in two weeks for a Manga Festival event, meaning certain cuts need to be fully animated…18You Tricked Me!2015-02-1225 minAoi, Seiichi, and Katsuragi join Inanami as they meet up with the voice cast of The Third Girls Aerial Squad for a recording. During the recording session, the staff notices the protagonist's voice actress, newcomer Kyōko Suzuki, is struggling with maintaining the quality of her voice as they expected her to do. They later help her give a more natural performance. Afterwards, Aoi meets up with Ōkura at a bar to ask for his help with a particular background; exhausted and drunk, he hastily agrees to do it. Aoi then contacts Studio Taitanic about the layouts of the fifth episode, only to learn…19Did You Catch Any?2015-02-1925 minOn the rooftop of Musashino Animation's studio, Aoi pleads with Erika to take her job as production desk and then blames herself for the problems happening lately. Erika then advises Aoi to go home for the night and get some rest so she can get rid of her stress by the next morning. The next day, as Aoi, Watanabe, and the entire production desk discuss how to handle the issues with Studio Taitanic, Erika goes with Hiraoka, who is actually a former acquaintance of hers, over to Taitanic's office so they could help out with the fifth episode. Eventually, she selects Hiroshi Iketani as…20I’ll Do My Best, Mustang!2015-02-2625 minAs the head staff tries to discuss what to do for the plot of the thirteenth episode, they start to liken the protagonist's reason for flying to their own reasons for getting into the anime industry. They become interested by their motives for making anime and ask the rest of the staff for their own opinions, receiving various responses. Meanwhile, Midori, who has been given writing assignments by Maitake to improve her writing skills in lieu of directly teaching her, feels downhearted when an increasingly irritable Hiraoka implies that she can get her way just because she is a girl. She…21Don’t Hold the Quality Hostage2015-03-0525 minDuring a delivery by the president of A.C Tsuchinoko, Hisamitsu Isokawa, he reunites with Hiraoka and Erika, who were his classmates in technical school. Meanwhile, Misa gets the chance to do some character CG animation for a certain scene in The Third Aerial Girls Squad, inviting Ema and Shizuka to an amusement park to observe their reactions on a rollercoaster for inspiration. Following the successful premiere of The Third Aerial Girls Squad 's first episode, which is met with widespread public acclaim, Aoi receives complaints from Segawa, who requests that Hiraoka be taken off the…22Noa’s in Her Underwear.2015-03-1225 minAfter being assigned as the animation supervisor for the thirteenth episode, Yumi, pressed by her large workload, nominates Ema to join Rinko as an assistant general animation supervisor to help her handle some of the cuts, having been impressed by the progress she displayed since Exodus!. However, when Aoi asks her about it, Ema responds that she lacks confidence in herself to take up the job and has to think it over. As a backup plan, Aoi approaches Segawa with the request. Though she declines, Segawa becomes impressed be her sincerity and regains some of the motivation she lost following…23Table Flip Continued2015-03-1925 minAfter Watanabe and Katsuragi fail to convince Chazawa and his boss to let them contact Nogame and negotiate with him, the Musashino staff is left with no choice but to follow his wishes and keep the episode's plot accurate to the story's original timeline, which would end the anime on an unhappy note with the death of one of the main characters. However, Seiichi is unsatisfied with the prospect, feeling that the ending needed to be positive. Hiraoka reveals that he worked on an adaptation of another of Nogame's works, which ignored the original story and sparked significant backlash from the…24The Delivery That Was Too Far Off2015-03-2625 minWith three weeks left until the delivery of the final episode, the entire Musashino staff reinforces their efforts to get the episode done with the time they have left. The work is particularly focused on the scene featuring Shizuka's character, which is assigned to Ema at her own request after she was touched by Shizuka's performance. Meanwhile, Shizuka finds enjoyment in being able to land minor voicing roles, while Misa stays up the entire night at her workplace creating a CG model for a fighter jet. On the day of the delivery, after the episode is finally completed, the production staff…
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